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No Other Choice (2026) Review – Killing the Competition
In one sentence: In No Other Choice, a desperate man struggling to find work in an increasingly automated world takes extreme measures to eliminate his job rivals and secure his future. What happens when you lose your job in an industry that is steadily being replaced by automation? When the competition for a single role…
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Is This Thing On? (2026) Review – When Life Calls for a Second Act
In one sentence: In Is This Thing On?, a recently separated man uses stand-up comedy as a way to rediscover meaning and gain a deeper appreciation for his life and relationships. Bradley Cooper takes a very different direction from his previous directorial feature, Maestro, turning his attention to a quieter, more intimate story about reinvention,…
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I Used to Be Famous (2022) Review – Lost Fame, Found Connection
In one sentence: I Used to Be Famous follows a former boy band star struggling to reclaim his place in the world who finds an unexpected creative partnership with a young autistic drummer, changing both of their lives. We live in a world where fame feels more accessible than ever, largely thanks to social media.…
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Mercy (2026) Review – A Thoughtful Premise That Falls Short
In one sentence: In Mercy, a detective accused of murdering his wife must use an AI driven courtroom system to prove his innocence within 90 minutes, despite not remembering what really happened. In a world where AI is becoming an increasingly central part of everyday life, it is no surprise that cinema explores the potential…
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Project Hail Mary (2026) Review – Science, Survival and Unexpected Friendship
In one sentence: In Project Hail Mary, a lone scientist awakens aboard a spacecraft with no memory of how he got there, only to discover he is humanity’s last hope and that he may not be alone in his mission. Sci-fi is not always a genre that everyone naturally gravitates towards and Project Hail Mary…
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A Pale View of Hills (2026) Review – A Delicate Story Lost in Translation
In one sentence: In A Pale View of Hills, a woman reflects on her life between post-war Nagasaki and 1980s England, as memories, grief and perspective intertwine to reveal a more complex and unsettling truth. Kazuo Ishiguro’s adaptations have long been known for their subtlety, poignancy and quiet emotional weight from the restrained The Remains…
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Reminders of Him (2026) Review – Love, Loss and Second Chances
In one sentence: In Reminders of Him, a young mother, recently released from prison, returns home determined to rebuild her life and form a relationship with the daughter she has never held, only to find her past standing firmly in the way. Colleen Hoover’s latest adaptation, Reminders of Him, may follow a somewhat predictable path,…
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Bodies Bodies Bodies (2022) Review – Friendship, Fear and Fatal Misunderstandings
In one sentence: In Bodies Bodies Bodies, a group of wealthy twenty-somethings gather for a hurricane party, but when one of them dies during a party game, suspicion and paranoia quickly turn friends against each other. Some films appear superficial at first glance, the kind you might dismiss as little more than brain rot. At…
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Send Help (2026) Review – When Workplace Power Dynamics Wash Ashore
In one sentence: In Send Help, an underappreciated office worker and her privileged boss wash up on a deserted island after a plane crash where their workplace power struggle takes on a far more dangerous form. We often imagine survival situations strip people back to their most basic instincts, removing the structures and hierarchies of…
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The Bride! (2026) Review – A Feminist Monster Tale That Struggles to Come Alive
In one sentence: The Bride! follows a lonely Frankenstein who resurrects the body of a murdered woman to create a companion, only for the newly revived bride, influenced by the spirit of Mary Shelley, to challenge the world around her and the role she was created to play. Sometimes Hollywood releases very similar films at…
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