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F1 (2025) Review – Fast Cars, Familiar Course
In one sentence: F1 follows an ageing racing driver who is lured back onto the Formula One circuit to help rescue a struggling team, forcing him to confront his past, his limitations and a fiercely competitive young teammate. Summer blockbusters are not typically the Academy’s favourites, but perhaps the tides are beginning to turn. With…
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Together (2025) Review – When ‘We’ Replaces ‘Me’
In one sentence: Together tells the story of a long term couple who, after a supernatural encounter, are unable to stay physically apart and are forced to confront the unsettling reality of their co-dependent relationship. Have you perhaps ever felt too co-dependent in a relationship? As though you cannot exist without the other person, want…
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Bugonia (2025) Review – Paranoia Has a Sting
In one sentence: Bugonia follows two conspiracy-obsessed cousins who kidnap a powerful tech CEO, convinced she is an alien intent on wiping out humanity. In an effort to watch all of this year’s Oscar-nominated films, I found myself reluctantly sitting down to a Yorgos Lanthimos movie. I have struggled with his work in the past,…
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Primate (2026) Review – From Pet to Predator
In one sentence: Primate follows a family whose pet chimpanzee contracts rabies, turning a quiet weekend in their remote Hawaiian home into a brutal fight for survival. Horror remains one of cinema’s most popular genres and there is rarely a shortage on the big screen. Primate is the latest and taps into a very primal…
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Pillion (2025) Review – When Intimacy Defies Expectation
In one sentence: Pillion shows a shy, sheltered man who enters into a consensual dom/sub relationship with an aloof biker, forcing both characters and audience to confront uncomfortable questions about power, intimacy and choice. Queer romance has increasingly found space in mainstream cinema, which is both welcome and necessary. Pillion, adapted from Adam Mars-Jones’ novel…
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Die My Love (2025) Review – A Portrait of Postpartum Descent
In one sentence: Die My Love presents a new mother’s descent into postnatal depression and psychosis that is intensified by isolation, dislocation and the emotional fallout of motherhood. We are often told that becoming a mother is transformative in the best possible way, but cinema rarely explores what happens when that transformation is destructive rather…
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The Housemaid (2025) Review – Lust, Lies and Locked Rooms
In one sentence: The Housemaid follows young woman, Millie, who takes a live-in job with a wealthy couple, only to find herself trapped in a seductive, gaslit power game where desire, deception and control are tightly locked behind closed doors. Bestselling psychological thrillers have become fertile ground for screen adaptations and The Housemaid sinks its…
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One Battle After Another (2025) Review – Revolution Without Rest
In one sentence: One Battle After Another follows a former revolutionary forced back into conflict when the past he tried to escape comes violently for his daughter. Cinema often treats conflict as something external, a battle to be fought and resolved, but One Battle After Another is more interested in conflict as a way of…
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Permission (2017) Review – Testing the Boundaries of Commitment
In one sentence: Permission follows a long term couple who, on the brink of engagement, agree to explore other relationships, only to discover that freedom comes with unexpected consequences. How can you be sure your partner is the one? Permission confronts this question head on. Anna (Rebecca Hall) and Will (Dan Stevens) are a couple…
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Summer in February (2013) Review – When Art and Love Collide
In one sentence: Summer in February follows two close friends in pre WWI Cornwall whose bond is tested when a young woman enters their creative circle, igniting desire, rivalry and tragedy. Period British dramas were as popular as ever at the time Summer in February was released. Downton Abbey dominated television and Dan Stevens had…
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