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Wuthering Heights (2026) Review – Style, Shock and Stormy Passion
In one sentence: In Emerald Fennell’s bold reimagining of Wuthering Heights, the fierce bond between Cathy and the brooding Heathcliff is tested by ambition, betrayal and the pull of social status on the Yorkshire moors. Emerald Fennell offers her own provocative take on Emily Brontë’s gothic classic, delivering a version that is visually bold, narratively…
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Master Cheng (2019) Review – A Slow Burn Served with Heart
In one sentence: When a widowed Chinese chef and his young son arrive in a quiet Finnish town searching for a mysterious contact, an unexpected kitchen partnership sparks healing, friendship and a gently unfolding love story. Not every film needs high stakes or dramatic twists to leave an impact. Master Cheng proves that a story…
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Ella McCay (2025) Review – A Film That Tries to Be Everything
In one sentence: Thrust into leadership by circumstance, Ella McCay struggles to balance public responsibility with private chaos as everything threatens to collapse at once. Some films try to balance ambition, emotion and quirk in equal measure, but Ella McCay struggles under the weight of its own intentions. What aims to be a warm, character…
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Bugonia (2025) Review – Paranoia Has a Sting
In one sentence: Bugonia follows two conspiracy-obsessed cousins who kidnap a powerful tech CEO, convinced she is an alien intent on wiping out humanity. In an effort to watch all of this year’s Oscar-nominated films, I found myself reluctantly sitting down to a Yorgos Lanthimos movie. I have struggled with his work in the past,…
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Blue Moon (2025) Review – Watching Success From the Sidelines
In one sentence: Set over the opening night of Oklahoma!, Blue Moon follows lyricist, Lorenz Hart, as he spends a lonely evening in a hotel bar reckoning with professional displacement and unrequited love. Most people are familiar with Rodgers & Hammerstein, the legendary composer–lyricist duo behind The Sound of Music, The King and I and…
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Titanic (1997) Review – The Gold Standard of Epic Cinema
In one sentence: Titanic follows a forbidden love between Jack and Rose, two young passengers from opposite worlds aboard the ill-fated ship. With Titanic’s long-standing Oscar nomination record recently surpassed by Ryan Coogler’s Sinners, I felt compelled to revisit James Cameron’s epic, particularly in the run-up to Valentine’s Day. Few films feel as synonymous with…
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Kangaroo (2026) Review – Finding Purpose in the Australian Outback
In one sentence: Kangaroo follows a disgraced TV weatherman and a grieving young girl whose shared care for an orphaned joey leads them both toward healing, purpose and an unexpected community. Kangaroos are synonymous with Australia, but how much do we really know about these springy animals and the place they hold in Australian culture?…
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Primate (2026) Review – From Pet to Predator
In one sentence: Primate follows a family whose pet chimpanzee contracts rabies, turning a quiet weekend in their remote Hawaiian home into a brutal fight for survival. Horror remains one of cinema’s most popular genres and there is rarely a shortage on the big screen. Primate is the latest and taps into a very primal…
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Pillion (2025) Review – When Intimacy Defies Expectation
In one sentence: Pillion shows a shy, sheltered man who enters into a consensual dom/sub relationship with an aloof biker, forcing both characters and audience to confront uncomfortable questions about power, intimacy and choice. Queer romance has increasingly found space in mainstream cinema, which is both welcome and necessary. Pillion, adapted from Adam Mars-Jones’ novel…
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Die My Love (2025) Review – A Portrait of Postpartum Descent
In one sentence: Die My Love presents a new mother’s descent into postnatal depression and psychosis that is intensified by isolation, dislocation and the emotional fallout of motherhood. We are often told that becoming a mother is transformative in the best possible way, but cinema rarely explores what happens when that transformation is destructive rather…
Rhiann’s Reels 