Rhiann’s Reels


Where cinema inspires conversation



Rhiann’s Reels brings together my written film reviews and the films discussed through Sandhurst Film Club and a virtual film club, both founded by me, reflecting an ongoing conversation about cinema.



Cinema is a reflection of society and, in most cases, has the ability to be a mirror and not just show the problems but also give solutions and help them reach a large number of people through faces and voices that matter.

– Kirti Kulhari


2026 Academy Award Nominated Movies 🏆

  • Bugonia (2025) Review – Paranoia Has a Sting

    Bugonia (2025) Review – Paranoia Has a Sting

    In one sentence: Bugonia follows two conspiracy-obsessed cousins who kidnap a powerful tech CEO, convinced she is an alien intent on wiping out humanity. In an effort to watch all of this year’s Oscar-nominated films, I found myself reluctantly sitting down to a Yorgos Lanthimos movie. I have struggled with his work in the past,…

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  • Blue Moon (2025) Review – Watching Success From the Sidelines

    Blue Moon (2025) Review – Watching Success From the Sidelines

    In one sentence: Set over the opening night of Oklahoma!, Blue Moon follows lyricist, Lorenz Hart, as he spends a lonely evening in a hotel bar reckoning with professional displacement and unrequited love. Most people are familiar with Rodgers & Hammerstein, the legendary composer–lyricist duo behind The Sound of Music, The King and I and…

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  • Die My Love (2025) Review – A Portrait of Postpartum Descent

    Die My Love (2025) Review – A Portrait of Postpartum Descent

    In one sentence: Die My Love presents a new mother’s descent into postnatal depression and psychosis that is intensified by isolation, dislocation and the emotional fallout of motherhood. We are often told that becoming a mother is transformative in the best possible way, but cinema rarely explores what happens when that transformation is destructive rather…

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Film Club Playlists

One song from each of the movies we have watched in my two film clubs


Latest Posts

  • F1 (2025) Review – Fast Cars, Familiar Course

    F1 (2025) Review – Fast Cars, Familiar Course

    In one sentence: F1 follows an ageing racing driver who is lured back onto the Formula One circuit to help rescue a struggling team, forcing him to confront his past, his limitations and a fiercely competitive young teammate. Summer blockbusters are not typically the Academy’s favourites, but perhaps the tides are beginning to turn. With…

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  • Adore (2013) Review – Tides of Desire

    Adore (2013) Review – Tides of Desire

    In one sentence: Adore follows two lifelong friends who find their bond tested when each begins a secret affair with the other’s son, setting in motion a tangled web of love, loyalty and taboo desire. Cinema frequently explores forbidden love, but rarely with the ambiguous morality and emotional nuance found in Adore. The film challenges…

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  • Sinners (2025) Review – Monsters, Men and Moral Reckoning

    Sinners (2025) Review – Monsters, Men and Moral Reckoning

    In one sentence: Sinners follows twin brothers who return to 1930s Mississippi to open a blues bar, only to find themselves trapped overnight when a group of vampires seek entry, turning a place of refuge into a desperate fight for survival. It is not often that a horror film performs strongly at the Oscars, let…

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“Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me.”
– Robert Redford


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