In one sentence: Savages is a stop-motion animated film that turns deforestation and overconsumption into an expressive and striking narrative.

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We hear a great deal about how overconsumption drives deforestation and climate change, but the makers of My Life as a Courgette bring this urgent issue to the screen in an unexpected and striking way; through claymation. Savages is a bold and ambitious film, delivering an entertaining yet thought-provoking 80 minutes that leaves a lasting impression.

Set in Borneo, the film follows Kéria, a young girl who, alongside her father, rescues a baby orangutan from a palm oil logging site after its mother is shot. They are soon joined by Kéria’s cousin Selaï, a member of the Penan people, whose family live deep within the rainforest and face growing danger as logging encroaches on their land. Through Selaï, Kéria is exposed to her heritage and begins a journey of understanding her identity, her family and the fragile ecosystem they call home. The narrative is more daring and complex than My Life as a Courgette, particularly in its scope and setting, yet it remains effective.

The characters are beautifully stylised, with large heads, doe-like eyes and rich, colourful shading that make them instantly endearing. The rainforest setting allows for a wide array of animal life and the film does not shy away from the harsher realities of nature. Frogs eat flies, tarsiers devour spiders and we encounter bears, panthers and other creatures, all animated with remarkable attention to personality. The foliage, waterfalls, shifting weather and lighting are equally impressive. Oshi, the baby orangutan, is a frequent scene-stealer, with expressive features and constant chatter of hoots and calls. His story mirrors Kéria’s in a poignant way, highlighting the devastating effects of deforestation while drawing the two characters closer together. He also serves as a powerful symbol of future, fragile generations, echoing the film’s opening sentiment that we borrow the world from our children.

At first glance, Savages may appear to be a children’s film, but its themes are weighty and emotionally complex, so some sensitivity is advised for younger viewers. In many ways, it feels like an animated film for adults, using a playful visual style to explore serious and often uncomfortable truths. Interestingly, the film’s website positions it as suitable for schools and provides thoughtful educational resources and activity packs to support classroom discussion. This feels like a natural extension of the film’s mission, allowing its ideas to resonate beyond the screen. Animation, in this case, becomes a powerful tool for accessibility rather than simplification.

The film addresses the impact of the palm oil industry, imported deforestation, environmental responsibility and the rights of the Penan people. It also introduces viewers to their spiritual beliefs and way of life, while acknowledging how modern technology has reached even the most remote corners of the world, not always with negative consequences. The message is clear without being heavy-handed, encouraging reflection.

Overall, Savages is a visually stunning and thoughtful film that tackles a vital and timely subject. Its distinctive style, emotional intelligence and willingness to challenge its audience make it stand out. I am excited to see what its creative team does next.

★★★★ (4/5)