In one sentence: Ideal Home is a warm comedy about an unlikely family navigating unexpected guardianship and the joys and frustrations that come with it. 

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There was a time when I would have actively avoided a film led by Steve Coogan, but those days are long gone. Since the excellent Philomena, Coogan has grown into a nuanced actor with excellent comedic timing in dramatic roles, something that was again evident in The Penguin Lessons. So I was pleasantly surprised to discover Ideal Home, a film I had somehow missed, co-starring the endlessly likeable Paul Rudd.

The film follows Erasmus (Coogan) and Paul (Rudd), a long-term same-sex couple living in Santa Fe and working together on Erasmus’ cookery show. Their comfortable, affluent and curated life is disrupted when Erasmus’ grandson, Angel, who prefers to be called Bill (Jack Gore), unexpectedly turns up on their doorstep after his father is arrested. Suddenly thrust into the role of guardians, the trio must navigate a new and unfamiliar family dynamic. Interestingly, the film is reportedly inspired by director Alexander Fleming’s own life, having drawn from his experience of living with his long-term partner and his partner’s son.

While the structure of the film is fairly familiar, with initial friction gradually giving way to understanding, it is elevated by the performances at its centre. Coogan and Rudd work extremely well together, bouncing effortlessly between bickering, affection and exasperation. Coogan plays Erasmus as flamboyant, demanding and often self-absorbed, while Rudd’s Paul is calmer and more grounded, shouldering much of the responsibility. Their chemistry feels natural and lived-in, making the relationship believable even when the narrative feels predictable.

It is fair to question the decision to cast two heterosexual actors in a same-sex role, particularly given how much LGBTQ+ representation has evolved in recent years. Some may feel this choice lacks authenticity or feels dated. That said, the film does succeed in presenting a warm and affirming portrayal of two men providing a loving home for a young boy. A particularly touching moment comes in the form of a photo montage at the end of the movie, celebrating same-sex parents and their families, which helps ground the story in something meaningful.

All three central characters are given clear arcs, allowing the film to move beyond surface-level comedy. Bill’s gradual emotional growth is especially well handled, culminating in a school speech that, while peppered with colourful language, reflects how much he has learned from his new home life. His evolving palate, particularly his ongoing love of Taco Bell, also provides a running joke that adds warmth and humour throughout. Gore is really believable and natural in his role, which is no mean feat when acting with such excellent comedic actors.

Ideal Home feels like a film that quietly slipped under the radar, which is a shame. While some of its humour and representation may feel slightly out of step with the present moment, it remains an enjoyable and often touching watch. Its familiar structure is balanced by strong performances and moments of genuine heart.

At its core, Ideal Home carries a simple but affirming message: family is defined by care and love.

★★★ (3/5)